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in ReviewsFilm Review: ‘One to One: John & Yoko’ Captures the Couple’s Only Concert Through a Politically-Charged Era
Kevin Macdonald’s exceptional One to One: John & Yoko is worthy of your time and of a trip to the IMAX cinema. More
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Film Review: ‘Grand Tour’ Has Striking Images with Limited Purpose
While Miguel Gomes creates many striking images with his latest movie, Grand Tour, none of them bring much meaning to the film. More
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Film Review: Rachel Zegler is the Best Part of an Otherwise Dull Remake of ‘Snow White’
Rachel Zegler cements her status as a movie star in an otherwise dull and lifeless remake of a timeless Disney animated classic. More
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Film Review: Alain Guiraudie Delivers His Most Accessible Film with ‘Misericordia’
Alain Guiraudie draws his most accessible film with Misericordia, though the end result feels more mixed than satisfying. More
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Film Review: ‘Ne Zha 2’ Is a Staggering Animated Achievement
With Ne Zha 2, the medium of animation is pushed to territories once thought impossible to visualize. More
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Film Review: ‘Dark Nuns’ is a Serviceable Enough Possession Flick
Despite a predictable structure, Kwon Hyeok-jae elevates Dark Nuns with its assured stylistic flourishes and compelling lead turn from Song Hye-kyo. More
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Film Review: Maura Delpero’s ‘Vermiglio’ Has Interesting Ideas Never Fully Explored
While Vermiglio contains moments of significant emotional power and compelling images, it’s not enough to warrant our attention. More
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Film Review: ‘Santosh’ Effectively Questions Corruption Within India’s Police System
Shahana Goswami gives a performance of incredible emotional complexity in Sandhya Suri’s Santosh. More
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Film Review: ‘Get Away’ Can’t Be Saved by a Respectable Twist
While Get Away boasts fun performances from its leads, its respectable twist ultimately can’t save the movie. More
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Film Review: Magnus von Horn Crafts an Evocative Nightmare in ‘The Girl with the Needle’
The Girl with the Needle is an incredibly difficult and punishing watch, anchored by a superb mastery of its visual and aural language. More
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in Reviews
Cinemania Festival Review: Julie Delpy Delivers a Razor-Sharp Satire in ‘Meet the Barbarians’
Julie Delpy is at her most political in Meet the Barbarians and forces us to reckon with what is occurring daily worldwide. More
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Festival du Nouveau Cinéma Review: Payal Kapadia Envelops Our Senses in ‘All We Imagine as Light’
Payal Kapadia crafts a patient, often poetic mediation on three women reconnecting with their inner selves in All we Imagine as Light. More
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